February 5, 2024February 5, 2024 twssmagazine

‘Play That Funky Music’ and other ponderings on the painful side of retrospection

January 25, 2023January 25, 2023 twssmagazine

Taylor Swift’s ‘Midnights’ and Reflections on Girlhood

March 7, 2022March 7, 2022 twssmagazine

WNB Disco Collective are Carving out Crucial Queer Spaces in Bristol

January 21, 2022January 20, 2022 twssmagazine

Taylor Swift

December 10, 2020December 10, 2020 twssmagazine

Quarantunes and Lockdown Listens

November 22, 2020November 22, 2020 twssmagazine

Music Interview with Emily Thomas

October 15, 2020October 15, 2020 twssmagazine

Write a Perspective: Three Writers’ Thoughts on WAP

May 15, 2020October 16, 2020 twssmagazine

STAY HOME: KEEP MOVING, KEEP GROOVING

January 31, 2020 twssmagazine

The ‘Decade Wrapped’ of Feminist Achievements

November 15, 2019December 12, 2019 twssmagazine

Myths of Virginity and Hymens: A Response to T.I.’s Revelations

August 12, 2019August 12, 2019 twssmagazine

Feminist Fringe: Smashing the Patriarchy with Comedy, Theatre and More

December 26, 2018 twssmagazine

Review: Matangi/ Maya/ M.I.A.

May 30, 2018May 30, 2018 twssmagazine

Introducing: Gina Southgate

March 30, 2018 twssmagazine

Bristol’s Noisy Women: An Interview with Gill Loats

October 27, 2017November 3, 2017 twssmagazine

The whitewashing of grime

July 12, 2017 twssmagazine

‘Lady Soul’: The Women of Jazz

October 23, 2016October 23, 2016 twssmagazine

Review: Akala on the history of black people in Britain 

January 26, 2016January 29, 2016 twssmagazine

Different Stokes, Not by Blokes

November 29, 2015November 30, 2015 twssmagazine

Apple Music: That’s what he said!?

October 16, 2015October 16, 2015 twssmagazine

How I became a woman – with a little help from PJ Harvey

September 22, 2015September 22, 2015 twssmagazine

Radio X and the dangers of ‘male-focused’ stations