Review
Taylor Swift’s ‘Midnights’ and Reflections on Girlhood
Season Two of Bridgerton Gives Indian Women their Time to Shine
Holding the Baby: Exhibition Review
Spencer: A Moving Portrayal of a Mind on the Edge
Poland Has A Task: Album Review
Review of 365 Dni
It’s a Sin – Review
Poetry Review: ‘SWEETDARK’
‘I May Destroy You’ is a Watershed Moment for Sexual Violence On-screen
A Feminist Take on ‘Normal People’
Review: ‘How To Beat Up Your Dad’
Review: ‘Legally Blonde’ at the Winston Theatre
Reimagining the World Through ‘Sex Education’ Season 2
A Feminist Ruins: ‘The Notebook’
Review: Greta Gerwig’s ‘Little Women’
Feminist Bookshelf
Pride and Prejudice* (*sort of) at Bristol Old Vic: Three Perspectives
Feminist Fringe: Smashing the Patriarchy with Comedy, Theatre and More
The Beauty Myth: Is Naomi Wolf’s classic still relevant today?
Review: ‘Beauty is Pain’ at the Wickham Theatre
Review: Netflix’s ‘Sex Education’
Film Review: On the Basis of Sex
Review: ‘Fresher’ at The Rondo Theatre
Review: Matangi/ Maya/ M.I.A.
Review: DramSoc’s Salomé
Review: Anna Jordan’s ‘Freak’
Review: Mandem Don’t Cry 2.0
Patrisse Khan-Cullors at the Bristol Festival of Ideas
That's What She Said 